Ink and Identities: The Politics of Bodies and Borders in Sin nombre.
Sin nombre, released in 2009, was the debut feature film by its director Cary Fukunaga. The film presents Fukunaga’s view of the migrant experience, taking the viewer on a journey from Honduras through Mexico and finally to the Mexico–US border. Against this backdrop, the human drama of an unrequite...
| Published in: | Hispanic Research Journal Vol. 19; no. 1; pp. 3 - 14 |
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| Format: | Film/TV Criticism and Review |
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Taylor & Francis Ltd
Feb2018
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| Online Access: | View this record in EBSCOhost |