Memory and Popular Film

One of the first books to put memory at the centre of analysis when exploring the relationship between film culture and the past. Provides a sustained, interdisciplinary perspective on memory and film from early cinema to the present, drawing from film studies, American studies and cultural studies....

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Detalles Bibliográficos
Autor principal: Paul Grainge
Formato: Libro
Publicado: Manchester University Press 2003
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Acceso en línea:Ver este registro en EBSCOhost
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        Motion pictures--Social aspects--United States
        Motion pictures--United States
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          PERFORMING ARTS / Film / History & Criticism
          Motion pictures--Social aspects--United States
          Motion pictures--United States
      ab: One of the first books to put memory at the centre of analysis when exploring the relationship between film culture and the past. Provides a sustained, interdisciplinary perspective on memory and film from early cinema to the present, drawing from film studies, American studies and cultural studies. Adopts a resolutely cultural perspective and unlike psychoanalytic or formalist approaches to memory, explores questions of culture, power and identity. Contributes to the growing debate about the status and function of the past in cultural life and discourse, discussing issues of memory in film, and of film as memory. Considers such well known films as Forrest Gump, Pleasantville, and Jackie Brown.An electronic edition of this book is freely available under a Creative Commons (CC BY-NC-ND) licence.
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