ЗВУКЪТ КАТО СМИСЪЛ (ВЪПРОСЪТ ЗА БИТИЕТО НА МУЗИКАТА)
This article attempts to approach three problems: 1) What does it mean that a work of music exists? 2) How does the experiencing of a musical artwork come into being? 3) Why does the world of a musical artwork remain ineffable? As to the problem of question 1), the solution the author proposes is th...
| Publicado en: | Philosophical Alternatives Journal / Filosofski Alternativi Vol. 26; no. 5; pp. 92 - 103 |
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| Formato: | Artículo |
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Institute of Philosophical Research
2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=128076143&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 128076143 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 08617899 3BV5 jtl: Philosophical Alternatives Journal / Filosofski Alternativi issn: 08617899 maglogo: N pubinfo: dt: 2017 vid: 26 iid: 5 pid: 35902 pub: Institute of Philosophical Research artinfo: ui: 128076143 ppf: 92 ppct: 11 formats: fmt: @attributes: type: P size: 1.8MB tig: atl: ЗВУКЪТ КАТО СМИСЪЛ (ВЪПРОСЪТ ЗА БИТИЕТО НА МУЗИКАТА) aug: au: ЛЕШКОВ, АНДРЕЙ affil: Гл. ас д-р в ИИОЗ, БАН sug: keyword: artwork(s) culture existence music phenomenology silence time-consciousness ab: This article attempts to approach three problems: 1) What does it mean that a work of music exists? 2) How does the experiencing of a musical artwork come into being? 3) Why does the world of a musical artwork remain ineffable? As to the problem of question 1), the solution the author proposes is that any musical artwork possesses an intermittent existence, devoid of the sort of permanence one finds in works of other arts. The problem referred to by question 2) concerns the conditions of possibility to intellectually experience a musical artwork; here an answer is sought by connecting time-consciousness and intentionality, phenomenologically interpreted. The problem referred to by question 3), regarding musicalitas ineffabilis, is addressed here as related to a certain primacy (both ontological and aesthetic) of the yet unfinished becoming over the now finished being. pubtype: Academic Journal doctype: Article src: R language: Bulgarian refInfo: copyright: @attributes: flag: Y custom: Copyright of Philosophical Alternatives Journal / Filosofski Alternativi is the property of Institute of Philosophical Research and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Philosophical Alternatives Journal / Filosofski Alternativi holder: Institute of Philosophical Research dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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