Imaginative Machines.
In philosophy of emerging media, several scholars have insisted on the fact that the "new" of new technologies does not have much to do with communication, but rather with the exponential growth of recording. In this paper, instead, the thesis advanced is that digital technologies do not concern mem...
| Publicado en: | Techné: Research in Philosophy & Technology Vol. 22; no. 1; pp. 98 - 126 |
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| Formato: | Artículo |
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Philosophy Documentation Center
2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=128253938&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 128253938 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01617249 2Y0N jtl: Techné: Research in Philosophy & Technology issn: 01617249 maglogo: N pubinfo: dt: 2018 vid: 22 iid: 1 pid: 2411 pub: Philosophy Documentation Center artinfo: ui: 128253938 10.5840/techne201791369 ppf: 98 ppct: 28 formats: fmt: @attributes: type: P size: 894KB tig: atl: Imaginative Machines. aug: au: Romele, Alberto affil: ETHICS -- EA 7446, Lille Catholic University, 60bis rue du Port, 59016 Lille, France su: Imagination Philosophy of technology Mimesis sug: subj: Imagination Philosophy of technology Mimesis keyword: big data narrative parrhesia productive imagination software ab: In philosophy of emerging media, several scholars have insisted on the fact that the "new" of new technologies does not have much to do with communication, but rather with the exponential growth of recording. In this paper, instead, the thesis advanced is that digital technologies do not concern memory, but imagination, and more precisely, what philosophers from Kant onwards have called productive imagination. In this paper, however, the main reference will not be Kant, but Paul Ricoeur, who explicitly refers to the Kantian productive imagination in his works, but also offered an externalized, semioticized, and historicized interpretation of it. The article is developed in three steps. In the first section, it deals with Ricoeur's theory of narrative, based on the notions of mimesis and mythos. In the second section, it is first argued that human imagination is always-already extended. Second, it will be shown how mimesis and mythos are precisely the way software works. In the third section, the specificity of big data is introduced. Big data is the promise of giving our actions and existences a meaning that we are incapable of perceiving, for lack of sensibility (i.e., data) and understanding (i.e., algorithms). Scholars have used the Foucauldian concepts of panopticon and confession for describing the human condition in the digital age. In the conclusion, it is argued that big data makes any form of disclosure unnecessary. Big data is an ensemble of technological artifacts, methods, techniques, practices, institutions, and forms of knowledge aiming at taking over the way someone narratively accounts for himself or herself before the others. Hence, another Foucauldian notion is representative of this age: the parrhesia, to speak candidly, and to take a risk in speaking the truth, insofar as such a possibility is anesthetized. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Techné: Research in Philosophy & Technology is the property of Philosophy Documentation Center and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Techné: Research in Philosophy & Technology holder: Philosophy Documentation Center dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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