Sinking, Shrinking, Satin Island.
Tom McCarthy has been singled out more than once as a model for the future of the novel, but he is rarely discussed in terms of his national context, except as an avant-garde exception to a persistent narrative of British national and literary decline. In his novel Satin Island, however, McCarthy ad...
| Publicado en: | Journal of Modern Literature Vol. 41; no. 2; pp. 147 - 165 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Indiana University Press
Winter2018
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=128433490&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 128433490 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0022281X JML jtl: Journal of Modern Literature issn: 0022281X maglogo: N pubinfo: dt: Winter2018 vid: 41 iid: 2 pid: 211 pub: Indiana University Press artinfo: ui: 128433490 10.2979/jmodelite.41.2.09 ppf: 147 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 585KB tig: atl: Sinking, Shrinking, Satin Island. aug: au: Quarrie, Cynthia affil: Concordia University su: McCarthy, Tom, 1969- Realism Novelists Literary criticism Postmodernism (Literature) sug: subj: McCarthy, Tom, 1969- Realism Novelists Literary criticism Postmodernism (Literature) keyword: contemporary British novel postcolonial melancholia shame Tom McCarthy whiteness ab: Tom McCarthy has been singled out more than once as a model for the future of the novel, but he is rarely discussed in terms of his national context, except as an avant-garde exception to a persistent narrative of British national and literary decline. In his novel Satin Island, however, McCarthy addresses his Britishness and the problem of his literary exceptionalism through the figure of the writer-as-anthropologist, through which he maps an ethico-political relationship to the history of British imperialism. This in turn shines a light on the disavowed, depoliticized melancholias of pre- and post-Brexit Britain as they circulate within the field of contemporary British literature. McCarthy spatializes and materializes post-colonial melancholy and makes it readable as shame. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of Modern Literature is the property of Indiana University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of Modern Literature holder: Indiana University Press dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
|---|