Praising Christ the King.

Royal connotations are recognized throughout the book of Revelation, including chapter 5 where the Lamb is depicted upon the heavenly throne (5:6) receiving acts of obeisance and hymnic acclamations from the heavenly retinue (5:8-14). However, the extent to which the hymns themselves manifest royal...

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Publicado en:Novum Testamentum Vol. 60; no. 2; pp. 162 - 183
Autor principal: Jeffcoat Schedtler, Justin
Formato: Artículo
Publicado: Brill Academic Publishers 2018
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Jeffcoat Schedtler, Justin
        affil: Wartburg College, Waverly, ia, USA
      su:
        Revelation in Christianity
        Kingship of God
        Christianity
        Agnus Dei (Musical form)
        Hymns
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        subj:
          Revelation in Christianity
          Kingship of God
          Christianity
          Agnus Dei (Musical form)
          Hymns
      keyword:
        Apocalypse
        Kingship
        New Testament
        Revelation
        Royal Praise
      ab: Royal connotations are recognized throughout the book of Revelation, including chapter 5 where the Lamb is depicted upon the heavenly throne (5:6) receiving acts of obeisance and hymnic acclamations from the heavenly retinue (5:8-14). However, the extent to which the hymns themselves manifest royal ideology and discourse has been neglected. In what follows, the author explores various elements of the hymns in light of widespread patterns of kingship discourse in the ancient Mediterranean world, including especially the fact that the Lamb is praised alongside God and in terms otherwise used for God. The author then demonstrates that the hymnic claim that the Lamb has assumed the power to rule on account of his bloody death on the cross (5:9) constitutes an inversion of a popular motif that kings assumed power through violent military conquest.
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    language: English
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