Rhythms of Relation: Black Popular Music and Mobile Technologies.
The article discusses issues associated with singular performances of the interface between subjectivity and informational technologies in popular music. Topics discussed include multifarious manifestations of techno-informational gadgets in contemporary Rhythm and Blues (R&B), interdependence of co...
| Publicado en: | Current Musicology no. 99/100; pp. 115 - 136 |
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| Formato: | Artículo |
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Current Musicology
Spring-Fall2016
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=128965606&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 128965606 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00113735 CMU jtl: Current Musicology issn: 00113735 maglogo: N pubinfo: dt: Spring-Fall2016 iid: 99/100 pid: 1129 pub: Current Musicology artinfo: ui: 128965606 ppf: 115 ppct: 21 formats: fmt: @attributes: type: P size: 5.9MB tig: atl: Rhythms of Relation: Black Popular Music and Mobile Technologies. aug: au: Weheliye, Alexander G. su: Popular music Rhythm & blues music Information technology Mobile communication systems Musical composition sug: subj: Popular music Rhythm & blues music Information technology Mobile communication systems Musical composition ab: The article discusses issues associated with singular performances of the interface between subjectivity and informational technologies in popular music. Topics discussed include multifarious manifestations of techno-informational gadgets in contemporary Rhythm and Blues (R&B), interdependence of contemporary popular music and mobile technologies and the logic of perpetual contact that combines mobile communication, private talk, and public performance. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Current Musicology is the property of Current Musicology and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Current Musicology holder: Current Musicology dt: @attributes: year: 2016 holdings: @attributes: islocal: N |
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