Not Reconciled: <italic>Grey Matter</italic> (Ruhorahoza 2011) and the Lacunae of Post-genocide Rwandan Cinema.
In the two decades following the Rwandan genocide, a small number of feature films have attempted to represent aspects of the traumatic national experience of this mass violence. Apart from a few documentaries, official Rwandan government efforts towards national reconciliation remain largely absent...
| Publicado en: | Critical Arts: A South-North Journal of Cultural & Media Studies Vol. 31; no. 5; pp. 78 - 87 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Oct2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=128996031&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 128996031 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 02560046 CTA jtl: Critical Arts: A South-North Journal of Cultural & Media Studies issn: 02560046 maglogo: N pubinfo: dt: Oct2017 vid: 31 iid: 5 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 128996031 10.1080/02560046.2017.1348685 ppf: 78 ppct: 9 formats: fmt: @attributes: type: P size: 821KB tig: atl: Not Reconciled: <italic>Grey Matter</italic> (Ruhorahoza 2011) and the Lacunae of Post-genocide Rwandan Cinema. aug: au: Broderick, Mick affil: Murdoch University, Australia su: Rwandan Genocide, 1994 Violence Documentary films Ruhorahoza, Kivu Filmmakers sug: subj: Rwandan Genocide, 1994 Violence Documentary films Ruhorahoza, Kivu Filmmakers keyword: cinema genocide reconciliation Rwanda trauma ab: In the two decades following the Rwandan genocide, a small number of feature films have attempted to represent aspects of the traumatic national experience of this mass violence. Apart from a few documentaries, official Rwandan government efforts towards national reconciliation remain largely absent in indigenous feature films, most of which treat their subject matter via conventional, social realist narratives. This essay assesses Kivu Ruhorahoza’s formidable debut production, <italic>Grey Matter</italic> (2011), and its aesthetic echoes of earlier modernist European cinema’s lacunary evocation of the Holocaust and the trauma of World War Two. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Critical Arts: A South-North Journal of Cultural & Media Studies is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Critical Arts: A South-North Journal of Cultural & Media Studies holder: Taylor & Francis Ltd dt: @attributes: year: 2017 holdings: @attributes: islocal: N |
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