'We Will Look After You': Back to Back Theatre's Lady Eats Apple and the promise of 'the time after' in the narratives of theatre involving actors with intellectual disabilities.
The article takes as its starting point 'We will look after you', a specific utterance and theatrical moment at the end of Lady Eats Apple by Back to Back Theatre insofar as these embody the potential aesthetic and political efficacies of the narrative strategies of recent theatre involving actors w...
| Publicado en: | Social Alternatives Vol. 36; no. 4; pp. 23 - 32 |
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| Formato: | Artículo |
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Social Alternatives
2017
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=ssf&AN=129255053&site=ehost-live header: @attributes: shortDbName: ssf uiTerm: 129255053 longDbName: Social Sciences Full Text (H.W. Wilson) uiTag: AN controlInfo: bkinfo: jinfo: jid: 01550306 SAT jtl: Social Alternatives issn: 01550306 maglogo: N pubinfo: dt: 2017 vid: 36 iid: 4 pid: 1283 pub: Social Alternatives artinfo: ui: 129255053 ppf: 23 ppct: 9 formats: fmt: @attributes: type: P size: 580KB tig: atl: 'We Will Look After You': Back to Back Theatre's Lady Eats Apple and the promise of 'the time after' in the narratives of theatre involving actors with intellectual disabilities. aug: au: MCCAFFREY, TONY affil: Auckland University of Technology su: Lady Eats Apple (Theatrical production) Intellectual disabilities Actors Aesthetics Theater audiences sug: subj: Intellectual disabilities Actors Aesthetics Independent actors, comedians and performers Independent Artists, Writers, and Performers Theater audiences Lady Eats Apple (Theatrical production) ab: The article takes as its starting point 'We will look after you', a specific utterance and theatrical moment at the end of Lady Eats Apple by Back to Back Theatre insofar as these embody the potential aesthetic and political efficacies of the narrative strategies of recent theatre involving actors with intellectual disabilities. These narratives are first located within the context of the development of such theatre over the last fifty years and then within the particular processes of development of Back to Back Theatre as a company exploring the terms of the 'distribution of the sensible' (Ranci're) of intellectual disability within contemporary theatrical performance, specifically in what might be termed the narrativity of postdramatic theatre. An analysis is then offered of how Lady Eats Apple reconfigures what can be said, shown, felt and understood in such theatre through the disorientation of the senses of perception and location of the audience. The analysis concludes that the company's aesthetic approach proves to be political in 'the time after' of performance, in its reconfiguration of assumed binaries of both the construction of the self as subject and of the relationship of care and dependence between people with and without disabilities. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: N holdings: @attributes: islocal: N |
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