The Unsung One: The Performer’s Voice in Twentieth-century Musical Monodrama.
In an examination of the evident yet overlooked subject of the singing body in opera studies, focusing on the soloist’s voice and role in twentieth-century musical stage works for a single performer offers a number of engaging insights. By observing contemporary staging and practices in light of cur...
| Publicado en: | Journal of Musicological Research Vol. 37; no. 2; pp. 119 - 141 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Apr-Jun2018
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| Acceso en línea: | Ver este registro en EBSCOhost |