Appropriating Video Surveillance for Art and Environmental Awareness: Experiences from ARTiVIS.

Arts, Real-Time Video and Interactivity for Sustainability (ARTiVIS) is an ongoing collaborative research project investigating how real-time video, DIY surveillance technologies and sensor data can be used as a tool for environmental awareness, activism and artistic explorations. The project consis...

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Publicado en:Science & Engineering Ethics Vol. 24; no. 3; pp. 947 - 971
Autores principales: Mendes, Mónica, Ângelo, Pedro, Correia, Nuno, Nisi, Valentina
Formato: Artículo
Publicado: Springer Nature Jun2018
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Appropriating Video Surveillance for Art and Environmental Awareness: Experiences from ARTiVIS.
      aug:
        au:
          Mendes, Mónica
          Ângelo, Pedro
          Correia, Nuno
          Nisi, Valentina
        affil:
          Faculdade de Belas-Artes da Universidade de Lisboa, and M-ITI, Lisbon, Portugal
          Faculdade de Engenharia do Porto, Porto, Portugal
          NOVA-LINCS, Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa, Caparica, Portugal
          M-ITI - Madeira Interactive Technologies Institute, Universidade da Madeira, Funchal, Portugal
      su:
        Video surveillance
        Climate change
        Sustainability
        Environmental protection
        Wireless sensor networks
      sug:
        subj:
          Video surveillance
          Climate change
          Sustainability
          Environmental protection
          Wireless sensor networks
      keyword:
        Environmental awareness
        Interactive installations
        Media art
        Surveillance
        Veillance
      ab: Arts, Real-Time Video and Interactivity for Sustainability (ARTiVIS) is an ongoing collaborative research project investigating how real-time video, DIY surveillance technologies and sensor data can be used as a tool for environmental awareness, activism and artistic explorations. The project consists of a series of digital contexts for aesthetic contemplation of nature and civic engagement, aiming to foster awareness and empowerment of local populations through DIY surveillance. At the core of the ARTIVIS efforts are a series of interactive installations (namely B-Wind!, Hug@tree and Play with Fire), that make use of surveillance technologies and real-time video as raw material to promote environmental awareness through the emotion generated by real-time connections with nature. Throughout the project development, the surveillance concept has been shifting from the use of surveillance technology in a centralized platform, to the idea of veillance with distributed peer-to-peer networks that can be used for science and environmental monitoring. In this paper we present the history of the ARTiVIS project, related and inspiring work, describe ongoing research work and explore the present and future challenges of appropriating surveillance technology for artistic, educational and civic engagement purposes.
      pubtype: Academic Journal
      doctype: Article
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    language: English
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