Japanese Electroacoustic and Japanese Instruments.
Electroacoustic music was introduced to Japan at almost the same time as other compositional methodologies, such as the 12-tone technique and serial music. On the other hand, traditional Japanese instruments, which had long been forgotten among composers, were also unveiled in the middle twentieth C...
| Publicado en: | Contemporary Music Review Vol. 37; no. 1/2; pp. 49 - 68 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb-Apr2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=129840563&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 129840563 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Feb-Apr2018 vid: 37 iid: 1/2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 129840563 10.1080/07494467.2018.1453336 ppf: 49 ppct: 19 formats: fmt: – @attributes: type: T – @attributes: type: P size: 2.2MB tig: atl: Japanese Electroacoustic and Japanese Instruments. aug: au: Ishii, Hiromi su: Japanese musical instruments Shakuhachi music Japanese music Electroacoustics Computer music History sug: subj: Japanese musical instruments Shakuhachi music Japanese music Electroacoustics Computer music History keyword: Japanese Electroacoustic Music Japanese Instruments Shakuhachi ab: Electroacoustic music was introduced to Japan at almost the same time as other compositional methodologies, such as the 12-tone technique and serial music. On the other hand, traditional Japanese instruments, which had long been forgotten among composers, were also unveiled in the middle twentieth Century as new sound material separated from their original background. From a sound aesthetics viewpoint, this article describes Japanese composers' digesting processes related to these new materials during the early electroacoustic music and early digital technology-based eras, through to today's situation within the social background in Japan. Finally, the article discusses the potential of electroacoustic music relating to the Japanese instruments. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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