Electroacoustic Music Linked with Information Processing Research in Japan.
This paper describes the electroacoustic music history of Japan since the late 1980s. This new music was originally created by traditional contemporary music composers. However, after the 1970s, the digital computer took over the primary role of the tape recorder for use in electroacoustic music, an...
| Publicado en: | Contemporary Music Review Vol. 37; no. 1/2; pp. 67 - 86 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb-Apr2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=129840564&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 129840564 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Feb-Apr2018 vid: 37 iid: 1/2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 129840564 10.1080/07494467.2018.1453337 ppf: 67 ppct: 19 formats: fmt: – @attributes: type: T – @attributes: type: P size: 517KB tig: atl: Electroacoustic Music Linked with Information Processing Research in Japan. aug: au: Osaka, Naotoshi su: Japanese music Electroacoustics Computer music Concerts History of music education History sug: subj: Japanese music Electroacoustics Computer music Concerts History of music education History keyword: Asia and Japan Electroacoustic Music ICMC Intercollege Concert Japan SIGMUS Takayuki Rai ab: This paper describes the electroacoustic music history of Japan since the late 1980s. This new music was originally created by traditional contemporary music composers. However, after the 1970s, the digital computer took over the primary role of the tape recorder for use in electroacoustic music, and composers could not keep up with the technological progress. Instead, composers of a younger generation who studied computer music in Europe began to emerge in the 1990s. They were quite active, and collaboration with music researchers in the computer science field established a longlasting community. The iconic event for Japan was the International Computer Music Conference, held in 1993 at Waseda University, Tokyo. This was successfully done in cooperation with the Kunitachi College of Music. After experiencing several such events, many researchers shifted their focus to music information processing research, while other musicians lost their interest in artistic computer music research. In the twenty-first century, individual composers are experiencing better and more convenient electroacoustic environments, including hardware and music software facilities. They are very active, and their interests range widely from pure electroacoustic music to multimedia sound art. However, an unified organisation has not yet been established for electroacoustic music, and this prevents Japan from achieving mutual understanding among composers. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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