Graham Greene's The Living Room: An Uncomfortable Catholic Play in Franco's Spain.

This article addresses the debate over Graham Greene's The Living Room (1953) in Franco's Spain, where theatre critics created a controversy over the play by questioning whether this Catholic dramatic work was heretical or orthodox. It was regarded as a cultural asset to the national stage, but it w...

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Published in:Atlantis (0210-6124) Vol. 40; no. 1; pp. 77 - 96
Main Author: OLIVARES LEYVA, MÓNICA
Format: Article
Published: Departament de Llengues i Literatures Modernes i d'Estudis Anglesos jun2018
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        atl: Graham Greene's The Living Room: An Uncomfortable Catholic Play in Franco's Spain.
      aug:
        au: OLIVARES LEYVA, MÓNICA
        affil: Universidad de Alcalá
      su:
        Living Room, The (Theatrical production)
        Theater
        Greene, Graham, 1904-1991
        Francoism
        Catholic Church in literature
        Censorship
        Spanish politics & government, 1939-1975
        Twentieth century
        Spain
      sug:
        subj:
          Spain
          Living Room, The (Theatrical production)
          Theater
          Greene, Graham, 1904-1991
          Francoism
          Catholic Church in literature
          Censorship
          Spanish politics & government, 1939-1975
          Twentieth century
      keyword:
        censorship
        criticism
        Franco's regime
        Graham Greene
        theatre
        censura
        crítica
        régimen de Franco
        teatro
      ab:
        This article addresses the debate over Graham Greene's The Living Room (1953) in Franco's Spain, where theatre critics created a controversy over the play by questioning whether this Catholic dramatic work was heretical or orthodox. It was regarded as a cultural asset to the national stage, but it was also interpreted as a threat to Catholics of wavering faith. In addition, this study uses the censorship files to examine the attitude of the Franco regime towards the play. Contrary to popular belief, Franco's government did not favour the reception of this play despite the fact that Greene was an internationally renowned Catholic writer. On the contrary, banned four times, it ranks among Greene's most censored works under Franco's rule. The article concludes by suggesting that The Living Room became an uncomfortable Catholic play because it clashed with the tenets of the regime.
        Este artículo pone de manifiesto el debate que tuvo lugar en la España de Franco en torno a El cuarto de estar (1953), de Graham Greene. Los críticos teatrales suscitaron una polémica a su alrededor al cuestionar si se trataba de una obra dramática católica de carácter herético u ortodoxo. Se consideró un bien cultural para la escena nacional al mismo tiempo que se interpretó como una amenaza para los católicos no firmes en su fe. En esta investigación también se revela la actitud del régimen de Franco hacia la obra mediante el análisis de los expedientes de censura. Contrariamente a lo que podría pensarse, el franquismo no favoreció la recepción de este drama a pesar de que Greene fuese un escritor católico de reconocido prestigio internacional. Por el contrario, con cuatro prohibiciones, El cuarto de estar se sitúa entre sus trabajos más censurados durante el periodo franquista. En resumen, este artículo saca a la luz que El cuarto de estar se convirtió en una obra católica incómoda cuando entró en conflicto con los principios ideológicos del régimen.
      pubtype: Academic Journal
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    language: English
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