The voice of the dead king Chindasuinth: poetry, politics, and the discourse of penance in Visigothic Spain.

Around ad 653, Eugenius II, bishop of Toledo, composed a first‐person poetic epitaph for the deceased Visigothic king Chindasuinth (r. 642–53) in which the monarch is made to speak with self‐deprecating candour. This paper offers a reassessment of the poem's language and rhetorical strategy by situa...

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Publicado en:Early Medieval Europe Vol. 26; no. 3; pp. 327 - 355
Autor principal: Ungvary, David
Formato: Artículo
Publicado: Wiley-Blackwell Aug2018
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The voice of the dead king Chindasuinth: poetry, politics, and the discourse of penance in Visigothic Spain.
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        au: Ungvary, David
        affil: Bard College
      su:
        Poetry (Literary form)
        Libel & slander
        Atonement
        Penance
        Eugenius II, Pope
        Bishops
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          Poetry (Literary form)
          Libel & slander
          Atonement
          Penance
          Eugenius II, Pope
          Bishops
      ab: Around ad 653, Eugenius II, bishop of Toledo, composed a first‐person poetic epitaph for the deceased Visigothic king Chindasuinth (r. 642–53) in which the monarch is made to speak with self‐deprecating candour. This paper offers a reassessment of the poem's language and rhetorical strategy by situating it within contemporary discourses surrounding royal admonition and penance. Rather than interpreting Eugenius's composition as an act of defamation, as the majority of critics have done, it reads the poem as a dignifying literary expression of atonement. This reading corresponds with other specimens of Eugenius's poetry and evidence from a developing literary culture at Chindasuinth's court.
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    language: English
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