"Of War Machines and Ghetto Scenes": English-Canadian Nationalism and The Guess Who's "American Woman"

Shaped by their experiences touring the U.S. and the nationalist period in which the song was produced, the Guess Who constructed a U.S. straw man of an oppressive, militaristic, ghettoized, superficial society, ready for a lyrical gutting. In return, the song was nationally embraced as a vocal mani...

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Publicado en:American Review of Canadian Studies Vol. 33; no. 3; pp. 339 - 357
Autor principal: Edwardson, Ryan
Formato: Artículo
Publicado: Taylor & Francis Ltd Sep2003
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Acceso en línea:Ver este registro en EBSCOhost
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        Nationalism
        Guess Who, The (Performer)
        American Woman (Music)
        Anti-Americanism
        Culture
        Canada
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          Canada
          Nationalism
          Guess Who, The (Performer)
          American Woman (Music)
          Anti-Americanism
          Culture
      ab: Shaped by their experiences touring the U.S. and the nationalist period in which the song was produced, the Guess Who constructed a U.S. straw man of an oppressive, militaristic, ghettoized, superficial society, ready for a lyrical gutting. In return, the song was nationally embraced as a vocal manifestation of communal anti-Americanism. "American Woman" is an important cultural artifact, highlighting the ferocity of a tremendously nationalistic period in Canada. It also illustrates the reciprocal relationship between social climate and the production and reception of cultural goods.
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