JOHN CAGE: "...THE WHOLE PAPER WOULD POTENTIALLY BE SOUND": TIME-BRACKETS AND THE NUMBER PIECES (1981-92).
Traces the development of the time-bracket technique of John Cage in his compositions from 1981 to 1992. Factors comprising time-structure of balanced proportions; Computer programs for composition methods; Demonstration of how TBrack time-specific generating program was utilized.
| Publicado en: | Perspectives of New Music Vol. 41; no. 2; pp. 176 - 226 |
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| Formato: | Artículo |
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Perspectives of New Music, Inc.
Summer2003
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| Acceso en línea: | Ver este registro en EBSCOhost |
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