Speculative realism and post-nature writing in Rick Bass’s “The Hermit’s Story”.

As a rising contemporary nature writer, Rick Bass shows in his nature imagination some unique features distinct from previous eco-literature, features characterized here as “speculative realism”. A newly emerging school of philosophy which has just come to the fore in the past decade, speculative re...

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Publicado en:Neohelicon Vol. 45; no. 1; pp. 319 - 333
Autor principal: Weisheng, Tang
Formato: Artículo
Publicado: Springer Nature Jun2018
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Speculative realism and post-nature writing in Rick Bass’s “The Hermit’s Story”.
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        au: Weisheng, Tang
        affil: Faculty of English Language and Culture, Guangdong University of Foreign Studies, Guangzhou, China
      su:
        Bass, Rick, 1958-
        Realism
        Subjectivity
        Petroleum geology
        Natural history literature
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          Bass, Rick, 1958-
          Realism
          Subjectivity
          Petroleum geology
          Natural history literature
      keyword:
        Post nature writing
        Rick Bass
        Speculative realism
        The Hermit’s Story
      ab: As a rising contemporary nature writer, Rick Bass shows in his nature imagination some unique features distinct from previous eco-literature, features characterized here as “speculative realism”. A newly emerging school of philosophy which has just come to the fore in the past decade, speculative realism resolves the opposition of subject and object by recognizing the “reality” of the world independent of human subjectivity, thus minimizing the constraints imposed by human mind in understanding the world and leading us to what Meillassoux terms “the great outdoors”. Bass studied petroleum geology at Utah State University and then worked as a petroleum geologist for nearly 10 years before moving to the remote Yaak Valley in 1987, where since then he has engaged himself in the nature. “The Hermit’s Story”, a short story he published in 1999, is representative of his speculative realist post-nature imagination: nature has its own system of logic independent of human consciousness, and as one part of nature, mankind has its own animality beyond reason. With his speculative realist post-nature imagination, Rick Bass is making an attempt to bring his readers into the “real” nature, and this is different from the traditional nature writing, which, from the anthropocentric perspective, either describes the Utopian beauty of the nature or makes futile appeals to protect it.
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