Digital Technology in Research and Documentation of Hunter-Gatherer Rock Art in South Africa.

The use of digital technology to enhance and manipulate photographs of rock paintings affords researchers insights into imagery that was formerly invisible or obscure. Image enhancement and manipulation software have greatly increased the data set available for study. There is a wide range of techni...

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Publicado en:African Archaeological Review Vol. 35; no. 2; pp. 157 - 169
Autor principal: Hollmann, Jeremy C.
Formato: Artículo
Publicado: Springer Nature Jun2018
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Acceso en línea:Ver este registro en EBSCOhost
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        au: Hollmann, Jeremy C.
        affil: Division of Archaeology and Rock Art Research Institute, School of Geography, Archaeology and Environmental Studies, University of the Witwatersrand, Private Bag 3, Wits, 2050, Johannesburg, South Africa
      su:
        Image processing
        Rock art (Archaeology)
        Technological innovations
        Photogrammetry
        Adobe Photoshop (Computer software)
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        subj:
          Image processing
          Rock art (Archaeology)
          Technological innovations
          Photogrammetry
          Adobe Photoshop (Computer software)
      keyword:
        Digital technology
        Enhancement
        Photography
        Rock art
        South Africa
      ab: The use of digital technology to enhance and manipulate photographs of rock paintings affords researchers insights into imagery that was formerly invisible or obscure. Image enhancement and manipulation software have greatly increased the data set available for study. There is a wide range of techniques available in the digital repertoire, depending on the aim of the research. Here, three South African case studies are discussed in which hunter-gatherer rock paintings are enhanced and manipulated to create digital “tracings” using the computer programmes Adobe Lightroom, Adobe Photoshop and DStretch. The results obtained with these simple techniques are presented here, because they might prove useful for rock art research elsewhere in the world. It must be noted, however, that these technological developments do not eliminate the subjective nature of recording and interpreting rock art or the necessity of a theoretical framework in which to understand the imagery.
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