A. G. Mitchell and the Development of Australian Pronunciation This article was first published in Blair and Collins (2000), and is here reprinted with minor revisions, by kind permission of the publishers and editors of that volume.

A. G. Mitchell's final work in the study of Australian English was a manuscript in which he outlined an integrated approach to the development of the dialect since 1788. This article summarizes the main features of that recent work, particularly in relation to pronunciation, and serves to provide a...

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Publicado en:Australian Journal of Linguistics Vol. 23; no. 2; pp. 129 - 142
Autor principal: Yallop, Colin
Formato: Artículo
Publicado: Taylor & Francis Ltd Oct2003
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: A. G. Mitchell and the Development of Australian Pronunciation This article was first published in Blair and Collins (2000), and is here reprinted with minor revisions, by kind permission of the publishers and editors of that volume.
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        English language
        Mixing (Philosophy)
        Emigration & immigration
        Special issues of periodicals
        Australia
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          Australia
          English language
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          Emigration & immigration
          Special issues of periodicals
      ab: A. G. Mitchell's final work in the study of Australian English was a manuscript in which he outlined an integrated approach to the development of the dialect since 1788. This article summarizes the main features of that recent work, particularly in relation to pronunciation, and serves to provide a context for the remaining articles in this special issue of the Australian Journal of Linguistics. Mitchell saw Broad Australian as established in New South Wales by the 1830s, not so much from a `mixing bowl' as by a process of local levelling and accommodation towards norms deriving from London or the London area. He suggested that General Australian owes much to immigration from Britain and became established by the 1870s or 1880s in rapidly developing suburban Australia. The cultivated end of the spectrum he ascribed to `external' influences especially in contexts where an English model of pronunciation is regarded as normative.
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