The Protagonist as a Learner, and the Author as a Teacher in Jack Lasenby’s Novel, The Lake.

The young adult novels of multi award-winning New Zealand writer, Jack Lasenby, are strongly influenced by his careers as a primary school teacher and deer-culler, and love of story. In his first novel, The Lake, Lasenby depicts Ruth, the protagonist, as a learner who seeks knowledge in much the sam...

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Publicado en:Children's Literature in Education Vol. 49; no. 3; pp. 264 - 282
Autor principal: van Rij, Vivien
Formato: Artículo
Publicado: Springer Nature Sep2018
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Protagonist as a Learner, and the Author as a Teacher in Jack Lasenby’s Novel, The Lake.
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        au: van Rij, Vivien
        affil: School of Education, Victoria University of Wellington, Donald Street, Karori, Wellington, New Zealand
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        Lasenby, Jack, 1931-2019
        Protagonists (Persons) in literature
        Protagonists (Persons)
        Authors
        Litterateurs
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          Lasenby, Jack, 1931-2019
          Protagonists (Persons) in literature
          Protagonists (Persons)
          Authors
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        Adolescence
        Dewey’s progressivism
        Incest
        Landscape
        Modernist socialism
        Myth
        New Zealand
        Romantic individualism
      ab: The young adult novels of multi award-winning New Zealand writer, Jack Lasenby, are strongly influenced by his careers as a primary school teacher and deer-culler, and love of story. In his first novel, The Lake, Lasenby depicts Ruth, the protagonist, as a learner who seeks knowledge in much the same way that he, the author-teacher, crafts his work. Incorporating features of John Dewey’s Progressive Education system into the novel, Lasenby emphasises the interrelatedness of diverse characters, and of society, nature, and myth, the notion of a wholeness comprising integrated parts, and the possibility of a truth gained through experiential learning and the imagination. Alienated, oppressed, and lonely, Ruth has experienced parental neglect and abuse, and escapes from the social world to a recognisable fictional wilderness based on the New Zealand landscape of Lasenby’s deer-culling days. At the same time she sees in society and the landscape images that represent herself and her dysfunctional family, and comes painfully to terms with these. Lasenby’s allusions to Maori and Biblical myth add to the multiple perspectives that Ruth (and the implied reader) must resolve in order to arrive at some truth.
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    language: English
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