Karaoke, Imitatio Prominentis, and Imitatio Dei.

This article investigates the relation between the religious concept imitatio dei and the popular cultural phenomenon, karaoke, which is extremely popular all around the world but, in particular, in Asia. Imitatio dei, the imitation of divinity, can be linked to karaoke by tracing both phenomena bac...

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Publicado en:Journal of Religion & Popular Culture Vol. 30; no. 2; pp. 131 - 139
Autor principal: Meinhold, Roman
Formato: Artículo
Publicado: University of California Press Summer2018
Materias:
Acceso en línea:Ver este registro en EBSCOhost
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        atl: Karaoke, Imitatio Prominentis, and Imitatio Dei.
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        au: Meinhold, Roman
        affil: Mahidol University International College, Mahidol University
      su:
        Karaoke
        Singing
        Philosophical anthropology
        Music
        Orchestral music
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          Karaoke
          Singing
          Philosophical anthropology
          Music
          Orchestral music
      keyword:
        entertainment
        imitatio dei
        imitation of celebrities
        karaoke
        music
        philosophical anthropology
        recreational singing
        religion
        rituals
        therapeutic singing
      ab: This article investigates the relation between the religious concept imitatio dei and the popular cultural phenomenon, karaoke, which is extremely popular all around the world but, in particular, in Asia. Imitatio dei, the imitation of divinity, can be linked to karaoke by tracing both phenomena back to a philosophic-anthropological feature: imitatio prominentis, the imitation of outstanding persons. According to research findings in comparative religion, imitatio dei, the imitation of god(s) in cultic-religious contexts, is found in several religious rituals in diverse cultures—for example, in transition rituals such as birth, initiation, marriage, and funeral rituals. It can be inferred that imitatio dei is a sub-phenomenon of imitatio prominentis, the imitation of outstanding beings or persons. It can be shown that imitatio prominentis is a philosophic-anthropological datum or a part of human nature. Karaoke must be rendered as a popular cultural manifestation of imitatio prominentis. The investigation takes a transdisciplinary-synthetic approach interweaving research findings from cultural critique, cultural studies, art theory, philosophical anthropology, and comparative religious studies.
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