1. PRÉCIS IMAGES OF HISTORY: KANT, BENJAMIN, FREEDOM, AND THE HUMAN SUBJECT.

ABSTRACT: My fundamental motivation in writing Images of History was to avoid some forms of hubris and despair that trouble contemporary philosophy and to develop instead a picture of human life in historical time. According to this picture, we live amid institutional and practical inheritances we c...

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Publicado en:History & Theory Vol. 57; no. 3; pp. 408 - 413
Autor principal: ELDRIDGE, R. I. C. H. A. R. D.
Formato: Artículo
Publicado: Wiley-Blackwell Sep2018
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: 1. PRÉCIS IMAGES OF HISTORY: KANT, BENJAMIN, FREEDOM, AND THE HUMAN SUBJECT.
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        au: ELDRIDGE, R. I. C. H. A. R. D.
        affil: Swarthmore College
      su:
        Images of History: Kant, Benjamin, Freedom & the Human Subject (Book)
        Kant, Immanuel, 1724-1804
        Benjamin, Walter, 1892-1940
        One-Way Street & Other Writings (Book)
        Religion Within the Boundaries of Mere Reason (Book)
        Liberty
        Modernity
        Philosophy of history
      sug:
        subj:
          Images of History: Kant, Benjamin, Freedom & the Human Subject (Book)
          Kant, Immanuel, 1724-1804
          Benjamin, Walter, 1892-1940
          One-Way Street & Other Writings (Book)
          Religion Within the Boundaries of Mere Reason (Book)
          Liberty
          Modernity
          Philosophy of history
      keyword:
        antagonism
        Benjamin
        conjecturalism
        freedom
        Kant
        modernism
        self‐unity
      ab: ABSTRACT: My fundamental motivation in writing Images of History was to avoid some forms of hubris and despair that trouble contemporary philosophy and to develop instead a picture of human life in historical time. According to this picture, we live amid institutional and practical inheritances we can address but can never fully stabilize and perfect. In different ways, Kant and Benjamin each accept this thought, and they each develop a picture of philosophy as historically situated, open criticism of existing practices and institutions. Each emphasizes the priority of the practical over any fixed metaphysical‐theoretical stance. I survey each of their general theories of critical historical understanding, and I pay special attention to the texts in which they each provide detailed, specific accounts of Western social‐historical development or circumstances: Kant's Religion within the Boundaries of Mere Reason and Benjamin's One‐Way Street. Where Kant's philosophical criticism is reformist, liberal, and casually dismissive of non‐Christian religion, Benjamin's is modernist, erotic, and improvisatory. Their respective images of history according to which we achieve orientation are both complementary and fundamentally opposed—not readily combinable into a consistent whole. Drawing on the work of Jonathan Lear, I end with a picture of maturity and practical self‐unity as centrally a matter of developing the skill of modulated alternation between these two orientation‐affording images.
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