Marketing the Illusion of Fidelity: Gone With the Wind, Novel and Film.
The article explores the metafictional theme of the U.S. novel "Gone With the Wind" by Margaret Mitchell that involves the ideology of the plantation class and industrial capitalism. According to the author, the novel is more about social and historical illusions than its characters. He explores the...
| Published in: | Southern Quarterly Vol. 55; no. 2/3; pp. 138 - 153 |
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| Format: | Literary Criticism |
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University of Southern Mississippi
Winter2018
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=131644746&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 131644746 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00384496 4LD jtl: Southern Quarterly issn: 00384496 maglogo: N pubinfo: dt: Winter2018 vid: 55 iid: 2/3 pid: 8615 pub: University of Southern Mississippi artinfo: ui: 131644746 ppf: 138 ppct: 15 formats: fmt: @attributes: type: P size: 2.9MB tig: atl: Marketing the Illusion of Fidelity: Gone With the Wind, Novel and Film. aug: au: HOAGWOOD, TERENCE affil: Texas A&M University su: Gone With the Wind (Book : Mitchell) Mitchell, Margaret, 1900-1949 Themes in American literature American romance fiction Gone With the Wind (Film) Literary characters Hallucinations & illusions in literature Deception in literature 21st century (Literary period) sug: subj: Gone With the Wind (Book : Mitchell) Mitchell, Margaret, 1900-1949 Themes in American literature American romance fiction Gone With the Wind (Film) Literary characters Hallucinations & illusions in literature Deception in literature 21st century (Literary period) ab: The article explores the metafictional theme of the U.S. novel "Gone With the Wind" by Margaret Mitchell that involves the ideology of the plantation class and industrial capitalism. According to the author, the novel is more about social and historical illusions than its characters. He explores the romance and adventures of Scarlett O'Hara, Ashley Wilkes and Rhett Butler and the development of the theme of illusion and deception in the film adaptation. pubtype: Academic Journal doctype: Literary Criticism src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Southern Quarterly is the property of University of Southern Mississippi and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Southern Quarterly holder: University of Southern Mississippi dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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