Saying Hello to the Lunatic Men: A Critical Reading of ‘Love is Lost’.
Pierrot the clown is a recurring figure in David Bowie’s oeuvre. In this article we examine Bowie’s use of Pierrot in his self-directed homemade video for the single release of ‘Love is Lost’ (2013). The article demonstrates how an understanding of Pierrot (and all he represents), as well as Bowie’s...
| Publicado en: | Contemporary Music Review Vol. 37; no. 3; pp. 257 - 272 |
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| Autores principales: | , , |
| Formato: | Artículo |
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Taylor & Francis Ltd
Jun2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=132082942&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 132082942 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Jun2018 vid: 37 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 132082942 10.1080/07494467.2018.1507356 ppf: 257 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 412KB tig: atl: Saying Hello to the Lunatic Men: A Critical Reading of ‘Love is Lost’. aug: au: Devereux, Eoin Dillane, Aileen Power, Martin J. su: Bowie, David, 1947-2016 Musicians Musical composition Videos Audiovisual materials sug: subj: Bowie, David, 1947-2016 Musicians Musical composition Videos Audiovisual materials keyword: ‘Clapping Music’ ‘Love is Lost’ Avant-Garde Bowie Pierrot Reich ab: Pierrot the clown is a recurring figure in David Bowie’s oeuvre. In this article we examine Bowie’s use of Pierrot in his self-directed homemade video for the single release of ‘Love is Lost’ (2013). The article demonstrates how an understanding of Pierrot (and all he represents), as well as Bowie’s engagement with avant-garde Jewish composers and artists, is vital to interpreting ‘Love is Lost’. We provide a reading of Bowie’s use of Pierrot as an avatar for everyman, for creativity and for the struggles over identities. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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