I am here - you are there: let’s meet sometime.
Holography has a unique ability to record objects, and the volume surrounding them, in such outstanding hi-fidelity that we believe we are seeing those objects, not recordings or facsimiles of them. This provides us with a spatial and temporal transport system, allowing the movement and display of s...
| Publicado en: | Studies in Theatre & Performance Vol. 38; no. 3; pp. 251 - 267 |
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| Autor principal: | |
| Formato: | Artículo |
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Taylor & Francis Ltd
Nov2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=132694623&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 132694623 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 14682761 L2H jtl: Studies in Theatre & Performance issn: 14682761 maglogo: N pubinfo: dt: Nov2018 vid: 38 iid: 3 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 132694623 10.1080/14682761.2018.1504267 ppf: 251 ppct: 16 formats: tig: atl: I am here - you are there: let’s meet sometime. aug: au: Pepper, Andrew affil: Fine Art, Nottingham Trent University, Nottingham, UK su: Holography Optical diffraction Philosophy Exhibitions Artists sug: subj: Holography Optical diffraction Philosophy Exhibitions Artists keyword: ephemeral Hologram installation light perception projection ab: Holography has a unique ability to record objects, and the volume surrounding them, in such outstanding hi-fidelity that we believe we are seeing those objects, not recordings or facsimiles of them. This provides us with a spatial and temporal transport system, allowing the movement and display of spaces or objects which are not physically ‘there’. This text explores our comfortable assumptions about being in one place and looking into another. It circumnavigates Heidiger’s complex observations related to the philosophical aspects of ‘being’, using, instead, the subliminal simplicity of our own experiences which help us know where we are and where the rest of the world appears to be. The opportunities for holography to allow objects to be in two places simultaneously are explored, with reference to pioneering artists who have examined, and made visible, some of these opportunities. The holographic ‘window’ is acknowledged and work by the author using holography and projected light installations, made specifically for the series of Alternative Document exhibitions, is referenced in connection with these observations and the framework of the alternative, ephemeral, document. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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