“The phoenix hasn’t shaken off the ashes from which it rose”: revisiting Natzweiler-Struthof in Boris Pahor’s Nekropola.

In the semi-autobiographic novel Nekropola (Necropolis, 1966) of the Slovene author Boris Pahor (born in 1913), the main character revisits the concentration camp Natzweiler-Struthof where he spent part of his imprisonment during the Second World War. During this visit the world of the concentration...

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Publicado en:Neohelicon Vol. 45; no. 2; pp. 621 - 652
Autor principal: Geerardyn, Tilde
Formato: Artículo
Publicado: Springer Nature Dec2018
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: “The phoenix hasn’t shaken off the ashes from which it rose”: revisiting Natzweiler-Struthof in Boris Pahor’s Nekropola.
      aug:
        au: Geerardyn, Tilde
        affil: Department Languages and Cultures - Eastern European Languages and Cultures, Ghent University, Blandijnberg 2, 6th Floor, 9000, Ghent, Belgium
      su:
        Necropolis I (Book)
        Pahor, Boris, 1913-2022
        Concentration camps
        World War II
        Emotions
        Psychology
      sug:
        subj:
          Necropolis I (Book)
          Pahor, Boris, 1913-2022
          Concentration camps
          World War II
          Emotions
          Psychology
      keyword:
        Alienation
        Bildungsroman
        Boris Pahor
        Concentration-camp literature
        Identity
      ab: In the semi-autobiographic novel Nekropola (Necropolis, 1966) of the Slovene author Boris Pahor (born in 1913), the main character revisits the concentration camp Natzweiler-Struthof where he spent part of his imprisonment during the Second World War. During this visit the world of the concentration-camp prisoner and the world of the concentration-camp survivor are reunited. In both worlds the (lack of) connection between the protagonist and the surrounding characters, and the hereto related emotional spectrum of loneliness (alienation, distance, solitude) occupy a central position. Earlier research pointed out that the reunion of the concentration-camp world in the memories of the protagonist and the world he lives in now emphasizes the discrepancy between these two worlds. Based on the narrative concepts described by Michael Rothberg (timelessness, falsifiability and normality vs the extreme), this article indicates that this discrepancy actually does not only originate in the confrontation between the world of the past and the present. Illustrated by the very different and sometimes opposite effects of the constant confrontation with loneliness, distance and alienation, present paper reveals that this hiatus between past and present is embedded in the state of mind, or rather, in the identity of the main character.
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    language: English
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