The New Digital Flesh of Fantastic Bodies.
From the fantastic inscribed on bodies, frightening as well as suffering bodies, and cinematic technologies inventing new spectacular forms of these bodies, a history of the one based on the formal possibilities of the other could well be imagined. We can thus explore cinema through the mutations of...
| Publicado en: | Substance: A Review of Theory & Literary Criticism Vol. 47; no. 3; pp. 93 - 113 |
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| Formato: | Artículo |
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Johns Hopkins University Press
2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=133142029&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 133142029 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00492426 2FG jtl: Substance: A Review of Theory & Literary Criticism issn: 00492426 maglogo: N pubinfo: dt: 2018 vid: 47 iid: 3 pid: 226 pub: Johns Hopkins University Press artinfo: ui: 133142029 10.1353/sub.2018.0034 ppf: 93 ppct: 20 formats: fmt: @attributes: type: P size: 9.1MB tig: atl: The New Digital Flesh of Fantastic Bodies. aug: au: Mellier, Denis affil: Université de Poitiers su: Human-machine systems Anxiety Neuroplasticity Symptoms Motion pictures Machine theory sug: subj: Human-machine systems Anxiety Neuroplasticity Symptoms Motion pictures Machine theory ab: From the fantastic inscribed on bodies, frightening as well as suffering bodies, and cinematic technologies inventing new spectacular forms of these bodies, a history of the one based on the formal possibilities of the other could well be imagined. We can thus explore cinema through the mutations of the body inherent to the fantastic. Considering the transparencies and superpositions of the silver era of cinema, the cuts and assemblies of the editing process, all the way to contemporary digital bodies, we can ask whether it is a question of a simple continuity, a renewal of the same discourse on the body, its mutations and alterations that it is going along its visual improvements. Or shouldn't we rather see that the digital is opening up different perspectives as the body has been acquiring an authentic digital skin in recent fantastic cinema. Cartoonization of the body, plasticity, endoscopic journeys into bodies and matter, extreme mobility, changes of scale, liquidity and disintegration are symptoms of the anxieties and phantasms attached to the body in the era of the digital fantastic. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Substance: A Review of Theory & Literary Criticism is the property of Johns Hopkins University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Substance: A Review of Theory & Literary Criticism holder: Johns Hopkins University Press dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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