All That Glitters: Devaluing the Gold Standard in the Utopias of Thomas More, Francis Bacon, and Margaret Cavendish.
Francis Bacon's and Margaret Cavendish's ideal societies unexpectedly follow Thomas More's Utopia in eliminating the exchange value of gold and replacing it with a knowledge economy. Bacon's New Atlantis (1627) and Cavendish's Blazing World (1666) similarly pursue new "light" and shun selfish profit...
| Published in: | Renaissance & Reformation / Renaissance et Réforme Vol. 41; no. 3; pp. 137 - 164 |
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| Format: | Article |
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Iter Canada
2018
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=133306727&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 133306727 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 0034429X 2BC jtl: Renaissance & Reformation / Renaissance et Réforme issn: 0034429X maglogo: N pubinfo: dt: 2018 vid: 41 iid: 3 pid: 78725 pub: Iter Canada artinfo: ui: 133306727 10.33137/rr.v41i3.31557 ppf: 137 ppct: 27 formats: fmt: @attributes: type: P size: 9.9MB tig: atl: All That Glitters: Devaluing the Gold Standard in the Utopias of Thomas More, Francis Bacon, and Margaret Cavendish. aug: au: MARTIN, CATHERINE GIMELLI affil: University of Memphis. su: Gold standard Utopia (Book : More) Bacon, Francis, 1561-1626 Newcastle, Margaret Cavendish, Duchess of, ca. 1624-1674 17th century English drama Information economy New Atlantis (Book) Blazing World, The (Book) Drama criticism sug: subj: Gold standard Utopia (Book : More) Bacon, Francis, 1561-1626 Newcastle, Margaret Cavendish, Duchess of, ca. 1624-1674 17th century English drama Information economy New Atlantis (Book) Blazing World, The (Book) Drama criticism ab: Francis Bacon's and Margaret Cavendish's ideal societies unexpectedly follow Thomas More's Utopia in eliminating the exchange value of gold and replacing it with a knowledge economy. Bacon's New Atlantis (1627) and Cavendish's Blazing World (1666) similarly pursue new "light" and shun selfish profit, private trade, capital accumulation, and conspicuous consumption. Unlike More, they allow gold to retain its traditional decorative and symbolic functions, but its "use value" completely trumps its exchange value. Cavendish uses gold to construct and glorify her Blazing World and to forge astonishing defensive weapons, but it cannot be bought, sold, or even earned since it remains exclusively imperial. Bacon restricts gold to buying new "light" or knowledge and honouring thriving families with symbolic golden grape clusters, but like the Fathers of Salomon's House, all three societies value only beneficial knowledge and the collaborative virtues taught by their new or improved religions to further universal peace and brotherhood. Les sociétés idéales imaginées par Francis Bacon et Margaret Cavendish emboîtent étonnamment le pas à l'Utopie de Thomas More lorsqu'elles éliminent la valeur monétaire de l'or pour la remplacer par une économie du savoir. La New Atlantis de Bacon (1627) et le Blazing World de Cavendish (1666) proposent de façon comparable la quête d'une nouvelle lumière et le refus du profit égoïste, du commerce privé, de l'accumulation du capital et de la consommation ostentatoire. Toutefois, à la différence de More, ils permettent que soit maintenue la valeur esthétique et symbolique de l'or, qui éclipse ainsi complètement sa valeur de monnaie d'échange. Cavendish utilise l'or pour construire et glorifier son univers flamboyant et pour créer d'étonnantes armes défensives, mais il ne peut être ni acheté, ni vendu, ni même gagné, puisqu'il est exclusivement impérial. Bacon limite l'usage de l'or à l'achat d'une nouvelle lumière, c'est-à-dire de la connaissance, et à l'hommage des familles florissantes en leur offrant de symboliques grappes de raisins en or, mais tout comme les Pères de la Maison de Salomon, cettes trois sociétés valorisent uniquement la connaissance bénéfique et les vertus de collaboration qu'enseignent leur religion nouvelle et améliorée afin de favoriser la paix universelle et la fraternité. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Renaissance & Reformation / Renaissance et Réforme is the property of Iter Canada and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Renaissance & Reformation / Renaissance et Réforme holder: Iter Canada dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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