THE PUBLIC UTTERATON MACHINES: Recording What People Think of Public Art in New York City.
In 2015-2016 the author installed interactive public artworks on sidewalks in Brooklyn and Queens using ordinary city permits. The locations were chosen in counterbalance to the dominant choices of location for public art in New York, which tends to be placed in Manhattan or other tourist-concentrat...
| Publicado en: | Leonardo Music Journal Vol. 28; no. 1; pp. 48 - 51 |
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| Formato: | Artículo |
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MIT Press
Dec2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=133409721&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 133409721 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2018 vid: 28 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 133409721 10.1162/LMJ_a_01031 ppf: 48 ppct: 3 formats: fmt: @attributes: type: P size: 1.8MB tig: atl: THE PUBLIC UTTERATON MACHINES: Recording What People Think of Public Art in New York City. aug: au: Hackemann, Rebecca affil: Chelsea College of Art, University of the Arts London, U.K.; Kansas State University Department of Art, Manhattan, KS 66506, U.S.A. su: Public art Interactive art Sound recording & reproducing Arts Art & society Public opinion sug: subj: Public art Interactive art Sound recording & reproducing Arts Art & society Public opinion ab: In 2015-2016 the author installed interactive public artworks on sidewalks in Brooklyn and Queens using ordinary city permits. The locations were chosen in counterbalance to the dominant choices of location for public art in New York, which tends to be placed in Manhattan or other tourist-concentrated areas. The works are entitled the Public Utteraton Machines and enable passersby to utter their opinions about other public art in the city as well as art's role in society. The device's earpiece recorded over 100 open-ended narratives and 391 responses to quantitative data questions via an integrated e-paper display screen. This public art project combines social practice with object-based public art into a conceptual public art practice that forms a commons or civic art. Sound archives of the responses can be found at local libraries in Queens and Brooklyn and at <http://utteraton.com/>. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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