The Migration of Data and Other Life Forms: A Sound Installation for the 70th Anniversary of the Darmstadt Summer Courses.
The article discusses a sound installation premiered during the 70th anniversary of the New Music Summer Courses in Darmstadt. The project proposes a dialogue between the archive of the Internationales Musikinstitut Darmstadt (IMD), which preserves the voices of contemporary music composers who lect...
| Published in: | Leonardo Music Journal Vol. 28; no. 1; pp. 3 - 8 |
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| Format: | Article |
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MIT Press
Dec2018
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=133409724&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 133409724 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 09611215 1F1 jtl: Leonardo Music Journal issn: 09611215 maglogo: N pubinfo: dt: Dec2018 vid: 28 iid: 1 pid: 776 pub: MIT Press artinfo: ui: 133409724 10.1162/LMJ_a_01035 ppf: 3 ppct: 5 formats: fmt: @attributes: type: P size: 2.4MB tig: atl: The Migration of Data and Other Life Forms: A Sound Installation for the 70th Anniversary of the Darmstadt Summer Courses. aug: au: VARCHAUSKY, NICOLÁS affil: Universidad Nacional de Quilmes, Roque Sáenz Peña 352, Bernal, Buenos Aires, Argentina B1876BXD su: Sound installations (Art) Sound recording libraries Sound archives Musical composition Composers sug: subj: Sound installations (Art) Sound recording libraries Sound archives Musical composition Composers ab: The article discusses a sound installation premiered during the 70th anniversary of the New Music Summer Courses in Darmstadt. The project proposes a dialogue between the archive of the Internationales Musikinstitut Darmstadt (IMD), which preserves the voices of contemporary music composers who lectured at the summer courses, and Archivo PAIS, the author's personal archive of anonymous voices of street vendors, informal preachers, institutional announcers and street artists. Speech analysis software, transducers, modified stethoscopes and a 15-meter-long by 4-meter-high fence were used to reflect on issues of survival, access and displacement though sound. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Leonardo Music Journal is the property of MIT Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Leonardo Music Journal holder: MIT Press dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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