Two Notes on Xie He's 謝赫 "Six Criteria" (liufa 六法), Aided by Digital Databases.
This article uses evidence from digital databases to re-examine two controversial issues regarding the "Six Criteria" (liufa 六法) of painting listed by Xie He 謝赫 (d. after 532) in the preface to his Gu huapin lu 古畫品錄: (1) their syntax and phrasing, and (2) the origin and connotations of qiyun 氣韻, the...
| Publicado en: | T'oung Pao Vol. 104; no. 5-6; pp. 496 - 511 |
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| Formato: | Artículo |
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Brill Academic Publishers
2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=133686926&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 133686926 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00825433 C64 jtl: T'oung Pao issn: 00825433 maglogo: Y pubinfo: dt: 2018 vid: 104 iid: 5-6 pid: 639 pub: Brill Academic Publishers artinfo: ui: 133686926 10.1163/15685322-10456P02 ppf: 496 ppct: 15 formats: fmt: – @attributes: type: T – @attributes: type: P size: 531KB tig: atl: Two Notes on Xie He's 謝赫 "Six Criteria" (liufa 六法), Aided by Digital Databases. aug: au: Goldin, Paul R. affil: University of Pennsylvania su: Xie He, d. ca. 501 Aesthetics Chinese philosophy, 221 B.C.-960 A.D. Literati school of painting (11th-15th centuries) Art & literature Digitization of archival materials sug: subj: Xie He, d. ca. 501 Aesthetics Chinese philosophy, 221 B.C.-960 A.D. Literati school of painting (11th-15th centuries) Art & literature Digitization of archival materials keyword: ṣadaṅga Chinese aesthetics Chinese art criticism liufa qiyun Xie He ab: This article uses evidence from digital databases to re-examine two controversial issues regarding the "Six Criteria" (liufa 六法) of painting listed by Xie He 謝赫 (d. after 532) in the preface to his Gu huapin lu 古畫品錄: (1) their syntax and phrasing, and (2) the origin and connotations of qiyun 氣韻, the most famous of the six. Despite recent claims to the contrary, the series of six numbered clauses taking the form "X, Y shi ye 是也" is unremarkable for the language of the time; moreover, the application of the Six Criteria in the subsequent biographies discloses that they are listed in decreasing order of importance. While the meaning and connotations of qiyun are impossible to state succinctly because they vary from one source to another, it is used (like similar phrases, such as yayun 雅韻 and shenyun 神韻) both to praise people's character and as an aesthetic quality pertaining to music, literature, and art. Résumé: Cet article utilise des bases de données de textes en ligne afin d'examiner à nouveaux frais deux aspects controversés de l'interprétation des « six critères » (liufa 六法) de la peinture exposés par Xie He 謝赫 (mort après 532) dans sa préface à son Gu huapin lu 古畫品錄: (1) leur syntaxe et formulation, et (2) l'origine et les connotations du terme qiyun 氣韻, le plus célèbre des six critères. En dépit d'affirmations récentes suggérant le contraire, cette série de six propositions sous la forme "X, Y shi ye 是也" n'est en rien exceptionnelle dans la langue de son époque ; de plus, l'application des six critères dans les biographies du Gu huapin lu montre qu'elles sont énumérées en ordre décroissant d'importance. Les autres sources textuelles montrent également que le sens et les connotations de qiyun sont impossibles à résumer en quelques mots dans la mesure où elles varient d'une source à l'autre, mais le terme est toujours utilisé (de même que des expressions proches, telles que yayun 雅韻 et shenyun 神韻) à la fois pour faire l'éloge du caractère d'une personne et pour exprimer une qualité esthétique dans les domaines de la musique, de la littérature et de l'art. 提要: 本文使用來自電子數據庫的證據重新考察了謝赫（卒年晚於532）於其《古畫品錄》序提出的繪畫"六法"中的兩個有爭議的問題：(1) 它們的句法和措辭；(2)六法中最著名的"氣韻"概念的來源和內涵。與近世相反，"六法"說中連續六個短句所使用的"X，Y是也"句型在當時的語言中並不罕見；此外，"六法"在之後的傳記中的使用表明它們是按照重要性遞減的順序被羅列的。而"氣韻"的意義和內涵則無法被簡單表述，因爲它在不同的文獻資料中各有差別。它（與類似的措辭如"雅韻"、"神韻"一樣）既被用以讚美人物的個性，也被用指有關音樂、文學和藝術的美學特質。 pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of T'oung Pao is the property of Brill Academic Publishers and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: T'oung Pao holder: Brill Academic Publishers dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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