FARKLI YÜZYILLARDA BESTELENEN 4 MEVLEVİ AYİNİNİN FORM ANALİZİ.
Mevlevi rituals, as one of the biggest forms of Turkish music, are musical pieces composed as vocal and instrumental accompaniments to the sacred dances during Mevlevi invocations. Four Mevlevi rituals, composed in different centuries, are first analysed in order to trace the characteristics of the...
| Published in: | Journal of International Social Research / Uluslararası Sosyal Araştırmalar Dergisi Vol. 11; no. 61; pp. 489 - 506 |
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Journal of International Social Research
2018
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=133945117&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 133945117 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 13079581 61LH jtl: Journal of International Social Research / Uluslararası Sosyal Araştırmalar Dergisi issn: 13079581 maglogo: N pubinfo: dt: 2018 vid: 11 iid: 61 pid: 42308 pub: Journal of International Social Research artinfo: ui: 133945117 10.17719/jisr.2018.2939 ppf: 489 ppct: 17 formats: fmt: @attributes: type: P size: 1.6MB tig: atl: FARKLI YÜZYILLARDA BESTELENEN 4 MEVLEVİ AYİNİNİN FORM ANALİZİ. aug: au: KARADENİZ GÜNEY, Şirin affil: Dr. Öğr. Üyesi, İTÜ Türk Musikisi Devlet Konservatuarı sug: keyword: Analysis Century Rituals Analiz Ayin Form Mevlevi Yüzyıl ab: Mevlevi rituals, as one of the biggest forms of Turkish music, are musical pieces composed as vocal and instrumental accompaniments to the sacred dances during Mevlevi invocations. Four Mevlevi rituals, composed in different centuries, are first analysed in order to trace the characteristics of the certain makam structures in ritual settings; beste-i kadim dügâh ritual, çargâh ritual of Nayi Osman Dede (17th cent.), bestenigâr ritual of Bursalı Sadık Efendi (18th cent.) and saba rituals of İsmail Dede (19th cent.). The data acquired at the end of the analyses are given as items and charts in the conclusion section. Mevlevi ayinleri, Türk musikisinin en büyük formları içerisinde yer almaktadır. Sözün ve sazın bir arada icra edileceği şekilde, Mevlevilerin zikirleri sırasında, semaya eşlik edilmesi için bestelenmiş olan eserlerdir. Bu çalışmada Ayin besteciliğinde dönem özelliği olup olmadığının tespit edilebilmesi için önce farklı yüzyılda bestelenen beste-i kadim dügâh ayin, on yedinci yüzyıldan Nayi Osman Dede'nin çargâh ayini, on sekizinci yüzyıldan Bursalı Sadık Efendi'nin bestenigâr ayini ve on dokuzuncu yüzyıldan İsmail Dede'nin saba ayinleri incelenmiştir. Yapılan analizlerin sonucunda elde edilen sonuçlar hem maddeler hem de tablolar halinde sonuç bölümünde sunulmuştur. pubtype: Academic Journal doctype: Article src: R language: Turkish refInfo: copyright: @attributes: flag: Y custom: Copyright of Journal of International Social Research / Uluslararası Sosyal Araştırmalar Dergisi is the property of Journal of International Social Research and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Journal of International Social Research / Uluslararası Sosyal Araştırmalar Dergisi holder: Journal of International Social Research dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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