The Woman and the Animal in Anita Desai's Cry, The Peacock.

This paper looks at the affinity between women and animals through a lens of material postcolonial ecofeminism. Anita Desai's novel Cry, the Peacock provides an opportunity to re-think some of the postcolonial issues espoused in the fiction of male writers through a gendered perspective while simult...

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Publicado en:Pertanika Journal of Social Sciences & Humanities Vol. 26; no. 2; pp. 1035 - 1047
Autor principal: Kaur, Gurpreet
Formato: Literary Criticism
Publicado: Universiti Putra Malaysia 2018
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: The Woman and the Animal in Anita Desai's Cry, The Peacock.
      aug:
        au: Kaur, Gurpreet
        affil: Department of English and Comparative Literary Studies, University of Warwick, Coventry, United Kingdom
      su:
        Cry, the Peacock (Book)
        Desai, Anita, 1937-
        Women in literature
        Animals in literature
        Ecofeminism in literature
      sug:
        subj:
          Cry, the Peacock (Book)
          Desai, Anita, 1937-
          Women in literature
          Animals in literature
          Ecofeminism in literature
      keyword:
        Ambivalence
        binaries
        Indian
        nature
        nonhuman animals
        postcolonial ecofeminism
        violence
        women
      ab: This paper looks at the affinity between women and animals through a lens of material postcolonial ecofeminism. Anita Desai's novel Cry, the Peacock provides an opportunity to re-think some of the postcolonial issues espoused in the fiction of male writers through a gendered perspective while simultaneously considering the specific processes that assign the woman and the animal to inferior and stereotyped positions. The woman and the animal, then, become mediators for each other. The notion of violence is key in exploring patriarchal oppression of both women and animals in Desai's novel. A key argument that is furthered in this paper is that the 'other' in the form of the woman and the animal is centred in the novel although both the woman and the animal are removed and distanced from society in this novel. While the woman becomes the mediator through whom the animal can be read, identity politics and relationships between men and women are mediated through the figure of the animal. The position of ambivalence seems to occupy the heart of the protagonists in this story, with the women belonging neither to the cultural or the natural.
      pubtype: Academic Journal
      doctype: Literary Criticism
      src: R
    language: English
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