Winds, heart, and heat in premodern Franciscan and Nahua concepts of 'soul'.

The Tercer abecedario espiritual (1527) was the most influential work of Franciscan friar and widely read spiritual author Francisco de Osuna (c.1492-c.1540). This essay focuses on descriptions of the soul in his treatise in order to highlight a series of correspondences between Nahua and Franciscan...

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Publicado en:Colonial Latin American Review Vol. 27; no. 3; pp. 296 - 316
Autor principal: Bultman, Dana
Formato: Artículo
Publicado: Taylor & Francis Ltd Sep2018
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Winds, heart, and heat in premodern Franciscan and Nahua concepts of 'soul'.
      aug:
        au: Bultman, Dana
        affil: University of Georgia, Department of Romance Languages
      su:
        Franciscans
        Nahuas
        Colonization
        Latour, Bruno, 1947-2022
        Franciscan missions
      sug:
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          Franciscans
          Nahuas
          Colonization
          Latour, Bruno, 1947-2022
          Franciscan missions
      keyword:
        ánima
        -yolia
        alma
        Alonso de Molina
        Bernardino de Sahagún
        compositionism
        evangelization
        Franciscan
        Francisco de Osuna
        heart
        ihiyotl
        Juan de Zumárraga
        mysticism
        Nahua
        reason
        recogimiento
        recollection
        senses
        soul
        Tercer abecedario espiritual
        tonalli
        will
      ab: The Tercer abecedario espiritual (1527) was the most influential work of Franciscan friar and widely read spiritual author Francisco de Osuna (c.1492-c.1540). This essay focuses on descriptions of the soul in his treatise in order to highlight a series of correspondences between Nahua and Franciscan metaphysics. It argues that these correspondences, based on sensorial experiences of the material world and inductive reasoning, aided the success of the Franciscan project of evangelization during the early decades of the colonization of Mexico through the 1570s. Moreover, it contends they led to changes in the concept of the soul in the Nahua/Spanish contact zone. Because Nahua terms for animating forces ihiyotl, -yolia, and tonalli—which signify winds, heart, and heat—have been studied in close detail, this essay uses them as a framework to interrogate Osuna's representations. Such an approach demonstrates that scholarship comparing Mesoamerican metaphysics with that of colonizing missionaries requires reciprocal scrutiny of European concepts at the time of contact. Finally, this analysis explores Bruno Latour's 'compositionism' as a model for approaching the premodern qualities of meditative recollection and for examining the intersections between Nahua and Franciscan aesthetics of interiority.
      pubtype: Academic Journal
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      src: R
    language: English
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