The Transformation of the World into Violin: The Rosenberg Museum as a Site for Radical Musical Praxis.
The activities of violinist/composer Jon Rose often force a readjustment of one's socially constructed aesthetic boundaries. This article takes a tour of his Rosenberg Museum, which stands as a provocation against preconceptions about violin as a musical instrument and cultural symbol. Rose's work i...
| Publicado en: | Contemporary Music Review Vol. 37; no. 4; pp. 278 - 292 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Aug2018
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=134540234&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 134540234 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Aug2018 vid: 37 iid: 4 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 134540234 10.1080/07494467.2018.1548731 ppf: 278 ppct: 14 formats: fmt: – @attributes: type: T – @attributes: type: P size: 951KB tig: atl: The Transformation of the World into Violin: The Rosenberg Museum as a Site for Radical Musical Praxis. aug: au: Veltheim, Erkki Antero su: Violin Violin music Rose, Jon Stringed instruments Schizophrenia sug: subj: Violin Violin music Rose, Jon Stringed instruments Schizophrenia keyword: Experimental Music Improvisation Jon Rose MIDI Bow Relative Violins Rosenberg Museum ab: The activities of violinist/composer Jon Rose often force a readjustment of one's socially constructed aesthetic boundaries. This article takes a tour of his Rosenberg Museum, which stands as a provocation against preconceptions about violin as a musical instrument and cultural symbol. Rose's work is founded on the violin as a floating signifier, able to take on any number of meanings in order to act as a vessel for a bewildering range of social commentary and critique. The article follows how this plays out in Rose's development of not only new techniques (notably his improvisation investigations), but also new technologies of violin playing. These include his practice of building and modifying conventional string instruments (the Relative Violin project), his forays into various forms of amplification, and his development of numerous mechanical devices that changed the way a violin can be played and heard (like the interactive MIDI bow). pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
|---|