Black Noise, White Ears: Resilience, Rap, and the Killing of Jordan Davis.
The author explores how the valuable discourse of black resilience is troubled by the imaginary capacity of black bodies and communities to endure additional pain. He notes the perceived noisiness of rap music and the fantasy of black menace that trigger software developer Michael Dunn to kill high...
| Publicado en: | Current Musicology no. 102; pp. 115 - 190 |
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| Formato: | Artículo |
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Current Musicology
Spring2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=134590825&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 134590825 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 00113735 CMU jtl: Current Musicology issn: 00113735 maglogo: N pubinfo: dt: Spring2018 iid: 102 pid: 1129 pub: Current Musicology artinfo: ui: 134590825 ppf: 115 ppct: 75 formats: fmt: @attributes: type: P size: 31.1MB tig: atl: Black Noise, White Ears: Resilience, Rap, and the Killing of Jordan Davis. aug: au: Cheng, William su: Racism Black people Rap music Dunn, Michael Davis, Jordan United States sug: subj: United States Racism Black people Rap music Dunn, Michael Davis, Jordan ab: The author explores how the valuable discourse of black resilience is troubled by the imaginary capacity of black bodies and communities to endure additional pain. He notes the perceived noisiness of rap music and the fantasy of black menace that trigger software developer Michael Dunn to kill high school student Jordan Davis. He also mentions that Dunn sought sympathy in court by disclosing putative disabilities of his own including hearing loss and ear pain. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Current Musicology is the property of Current Musicology and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Current Musicology holder: Current Musicology dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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