Rupturing the Surface: Performance as Opposition in Ocaña: retrat intermitent (Ventura Pons, 1978).
This article takes a new look at one of the most notable films of the era of Spain's Transition to democracy: Ventura Pons' directorial debut, Ocaña: retrat intermitent (1978). Screened during a time characterized by an explosion of freedoms, but also by the depoliticization of politics and of Spain...
| Publicado en: | Bulletin of Hispanic Studies (1475-3839) Vol. 96; no. 2; pp. 163 - 180 |
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| Formato: | Film/TV Criticism and Review |
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Liverpool University Press / Journals
2019
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| Acceso en línea: | Ver este registro en EBSCOhost |