Omnivorous Cultural Policy: The Case of Concerts Norway.

This article uses the case of Concerts Norway to analyze how the agency of esthetics is changing and expanding within a cultural policy institution. Concerts Norway has provided concerts to all age groups and all parts of the country for nearly fifty years. The ambition of the institution has been t...

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Publicado en:Journal of Arts Management, Law & Society Vol. 49; no. 1; pp. 61 - 74
Autor principal: Hylland, Ole Marius
Formato: Artículo
Publicado: Taylor & Francis Ltd 2019
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Omnivorous Cultural Policy: The Case of Concerts Norway.
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        au: Hylland, Ole Marius
        affil: Telemark Research Institute, Bø i Telemark, Norway
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        Cultural policy
        Norwegian music
        Aesthetics
        Art & culture
        Concerts
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          Cultural policy
          Norwegian music
          Aesthetics
          Art & culture
          Concerts
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        Agency
        cultural policy
        esthetics
        genre
        music
        omnivore
      ab: This article uses the case of Concerts Norway to analyze how the agency of esthetics is changing and expanding within a cultural policy institution. Concerts Norway has provided concerts to all age groups and all parts of the country for nearly fifty years. The ambition of the institution has been to ensure that all Norwegian citizens have had access to quality music. The article describes how these cultural policy ambitions entail a general esthetic agency, and how different kinds of musical genres have been given agency through the work of the institution, thereby representing a seemingly omnipotent and increasingly omnivorous cultural policy.
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    language: English
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