"Throat in Hand": Myung Mi Kim's Poetics of the Physical.

Myung Mi Kim's poetry and poetics is grounded in the physical body. Mouths and throats abound in her poems, and the physical act of speaking is an important, and overlooked, dimension of her poetic practice. Poetry comes from the body as rhythm, sound, and breath, yet we have few resources for talki...

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Publicado en:Journal of Modern Literature Vol. 42; no. 2; pp. 57 - 75
Autor principal: Kinzer, Greg
Formato: Artículo
Publicado: Indiana University Press Winter2019
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: "Throat in Hand": Myung Mi Kim's Poetics of the Physical.
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        au: Kinzer, Greg
        affil: Austin College
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        Kim, Myung Mi, 1957-
        Poets
        Poetry (Literary form)
        Asian American literature
        Sound in literature
        Human body in literature
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          Kim, Myung Mi, 1957-
          Poets
          Poetry (Literary form)
          Asian American literature
          Sound in literature
          Human body in literature
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        Myung Mi Kim
        sound in poetry
        the body
      ab: Myung Mi Kim's poetry and poetics is grounded in the physical body. Mouths and throats abound in her poems, and the physical act of speaking is an important, and overlooked, dimension of her poetic practice. Poetry comes from the body as rhythm, sound, and breath, yet we have few resources for talking about further dimensions of the physicality of poetry, including the muscular and kinesthetic experience of words in the mouth. Recent work in cognitive science and sociolinguistics offers a useful supplement for more fully exploring the physical, and physiological, in Kim's poetry. Her poems are full of obdurate sounds and conjunctions of multiple languages that prompt for the reader new experiences of the mouth and tongue. Through such forms of resistance and play, Kim seeks to revitalize language as a form of connection and "commons."
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