Les fonts clàssiques de Curial e Güelfa.
Curial e Güelfa (Milan-Naples, ca. 1445-1448), a chivalric romance written in Catalan an attributable to the great chamberlain in the Naples of Alfonso the Magnanimous, Enyego/Inico d'Àvalos, contains a suggestive cultural burden (Ovid's myths satirically distorted; theophanies and Neo-platonic sets...
| Publicado en: | Scripta Vol. 12; no. 12; pp. 152 - 168 |
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| Formato: | Artículo |
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Scripta
des2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=135523083&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 135523083 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 23404841 GD46 jtl: Scripta issn: 23404841 maglogo: N pubinfo: dt: des2018 vid: 12 iid: 12 pid: 89094 pub: Scripta artinfo: ui: 135523083 10.7203/SCRIPTA.12.13670 ppf: 152 ppct: 16 formats: fmt: @attributes: type: P size: 2MB tig: atl: Les fonts clàssiques de Curial e Güelfa. aug: au: SOLER, ABEL affil: Universitat de València sug: keyword: chivalric romance humanistic chivalry medieval catalan literature cavalleria humanística chivalric romance Curial e Güelfa Enyego d'Àvalos humanistic chivalry literatura catalana medieval medieval catalan literature novel·la cavalleresca ab: Curial e Güelfa (Milan-Naples, ca. 1445-1448), a chivalric romance written in Catalan an attributable to the great chamberlain in the Naples of Alfonso the Magnanimous, Enyego/Inico d'Àvalos, contains a suggestive cultural burden (Ovid's myths satirically distorted; theophanies and Neo-platonic sets; explicit and/or implicit references to Caesar, Macrobius, Plato, Apuleius...), which is not absolutely superfluous nor dispensable, as some critic from the last century explained. Just the opposite: the way to recall the classics and re-present them cannot be explained without considering the contacts of the hypothetical writer with the Lombard and Neapolitan Humanism. On the other hand, the catalogue of Greek-Latin classics recorded in the varied personal library of D'Àvalos himself, the second richest in the south of Italy, demonstrates the coincidence of his taste and readings with the anonymous writer of the Curial and invites us to ratify the aforementioned attribution. Curial e Güelfa (Milà-Nàpols, ca. 1445-1448), novel·la cavalleresca escrita en català i atribuïble al gran camarlenc del Nàpols d'Alfons el Magnànim, Enyego d'Àvalos, conté una suggerent càrrega culturalista (mites ovidians tergiversats satíricament; teofanies i decorats neoplatònics; remissions explícites i/o implícites Cèsar, Macrobi, Plató, Apuleu...), que no resulta en absolut supèrflua i prescindible, com argumentà algun crític del segle passat. Al contrari: la manera d'evocar-hi els clàssics i de re-presentar-los no s'explica sense considerar els contactes de l'hipotètic escriptor amb l'humanisme llombard i napolità. D'altra banda, el repertori de clàssics greco-llatins documentats en la variada biblioteca personal del mateix D'Àvalos, la segona més rica del sud d'Itàlia, evidencia la coincidència de gustos i lectures d'aquest amb l'anònim del Curial i convida a ratificar la referida atribució. pubtype: Academic Journal doctype: Article src: R language: Catalan refInfo: copyright: @attributes: flag: Y custom: Copyright of Scripta is the property of Scripta and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Scripta holder: Scripta dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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