The Desire for Fact: Anti-Racist Ethics in Discourses of Sexual Violence.

In this paper, I consider the way Vanessa Place's book of experimental poetry Statement of Facts and Jana Leo's memoir Rape New York use flat language to resist the requirement that a victim of sexual violence produce affect as evidence of sexual assault. This paper engages with critical work in Bla...

Descripción completa

Detalles Bibliográficos
Publicado en:Criticism Vol. 60; no. 4; pp. 511 - 532
Autor principal: Manshel, Hannah
Formato: Artículo
Publicado: Wayne State University Press Fall2018
Materias:
Acceso en línea:Ver este registro en EBSCOhost
fields @attributes:
  recordID: 1
pdfLink:
plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=135539409&site=ehost-live
header:
  @attributes:
    shortDbName: hlh
    uiTerm: 135539409
    longDbName: Humanities International Complete
    uiTag: AN
  controlInfo:
    bkinfo:
    jinfo:
      jid:
        00111589
        CIS
      jtl: Criticism
      issn: 00111589
      maglogo: N
    pubinfo:
      dt: Fall2018
      vid: 60
      iid: 4
      pid: 426
      pub: Wayne State University Press
    artinfo:
      ui:
        135539409
        10.13110/criticism.60.4.0511
      ppf: 511
      ppct: 21
      formats:
        fmt:
          – @attributes:
              type: T
          – @attributes:
              type: P
              size: 271KB
      tig:
        atl: The Desire for Fact: Anti-Racist Ethics in Discourses of Sexual Violence.
      aug:
        au: Manshel, Hannah
      su:
        Sexual assault
        Black feminists
        Leo, Jana
        Victims
        Feminists
      sug:
        subj:
          Sexual assault
          Black feminists
          Leo, Jana
          Victims
          Feminists
      ab: In this paper, I consider the way Vanessa Place's book of experimental poetry Statement of Facts and Jana Leo's memoir Rape New York use flat language to resist the requirement that a victim of sexual violence produce affect as evidence of sexual assault. This paper engages with critical work in Black Feminist studies and on surface reading to argue that flat writing, in its turn toward a-subjectivity and away from compulsory wounded affect, might offer an anti-racist alternative to a liberal narrative of rape as a crime that happens to an individual, middle-class, white female victim.
      pubtype: Academic Journal
      doctype: Article
      src: R
    language: English
    refInfo:
    copyright:
      @attributes:
        flag: Y
      custom: Copyright of Criticism is the property of Wayne State University Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use.
      item: Criticism
      holder: Wayne State University Press
      dt:
        @attributes:
          year: 2018
    holdings:
      @attributes:
        islocal: N