| Summary: | Despite its global success, the animated Disney film Mulan (1998) did not win the hearts of many Chinese. In 2009, a Chinese live-action film Hua Mulan came out with the claim of presenting its own Mulan tale to the world. By viewing this film as a dialogical site, the article explores first, the historical continuity of Hua Mulan's ideological values through the construction of her Chineseness; second, the film's unprecedented female voice and, through it, the critical retelling of gender and nation, which have been core issues in Mulan's filmmaking traditions in mainland China; and third, the multivocal space created by a younger generation's views on this film.
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