A Managed Risk: Mediated Musicianships in a Networked Laptop Orchestra.
Mediation defers questions of meaning and power in a present situation to subjects, objects, times, or places which may not be present—or at least not in precisely the same way. Drawing upon ethnographic observations and interviews conducted with a new laptop orchestra at Concordia University in Mon...
| Publicado en: | Contemporary Music Review Vol. 37; no. 5/6; pp. 646 - 666 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Oct-Dec2018
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| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=135567005&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 135567005 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 07494467 7VR jtl: Contemporary Music Review issn: 07494467 maglogo: N pubinfo: dt: Oct-Dec2018 vid: 37 iid: 5/6 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 135567005 10.1080/07494467.2017.1402458 ppf: 646 ppct: 20 formats: fmt: @attributes: type: P size: 643KB tig: atl: A Managed Risk: Mediated Musicianships in a Networked Laptop Orchestra. aug: au: Valiquet, Patrick su: Musicians Computer music Music education Higher education Technological innovations sug: subj: Musicians Computer music Music education Higher education Technological innovations keyword: Laptop Orchestra Live Electronic Music Materialism Mediation Neoliberalism ab: Mediation defers questions of meaning and power in a present situation to subjects, objects, times, or places which may not be present—or at least not in precisely the same way. Drawing upon ethnographic observations and interviews conducted with a new laptop orchestra at Concordia University in Montreal in 2011 and 2012, this article surveys some of the different ways that the concept of mediation can be used to foreground the politics of such technologically dense ensemble practices. Attending to the work of mediation in such contexts enables the ethnographic observer to follow the making and breaking of relations between an ensemble's sound, the practical interventions of players, instruments, instructors, and institutional patrons, and the wider political and aesthetic projections they make possible. The article concludes by providing a critical assessment of the laptop orchestra model on the basis of these observations. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Contemporary Music Review is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Contemporary Music Review holder: Taylor & Francis Ltd dt: @attributes: year: 2018 holdings: @attributes: islocal: N |
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