Electronic Dunes and Downtown Vibes. The Social Construction of an Underground Electro Scene in Tunisia.
The paper explores the making of an electronic music scene in Tunisia, before and after the country's 2010-2011 revolution. Such a scene developed in the context of a pre-existing "mainstream" club circuit, which embodied many political and social features of pre-revolutionary Tunisia. The electro s...
| Publicado en: | Popular Music & Society Vol. 42; no. 2; pp. 210 - 230 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
May2019
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=135588151&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 135588151 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007766 POA jtl: Popular Music & Society issn: 03007766 maglogo: Y pubinfo: dt: May2019 vid: 42 iid: 2 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 135588151 10.1080/03007766.2019.1565627 ppf: 210 ppct: 20 formats: fmt: – @attributes: type: T – @attributes: type: P size: 1.3MB tig: atl: Electronic Dunes and Downtown Vibes. The Social Construction of an Underground Electro Scene in Tunisia. aug: au: Barone, Stefano affil: Griffith Centre for Social and Cultural Research, Griffith University, Brisbane, Australia su: Electronic music Social constructionism Underground music Tunisia sug: subj: Tunisia Electronic music Social constructionism Underground music ab: The paper explores the making of an electronic music scene in Tunisia, before and after the country's 2010-2011 revolution. Such a scene developed in the context of a pre-existing "mainstream" club circuit, which embodied many political and social features of pre-revolutionary Tunisia. The electro scene activists managed to react against such a mainstream, but they were obliged to borrow its infrastructures and thus negotiate with its social characteristics. Different sections of the scene accepted or refused different elements of the perceived mainstream. As a result, they produced different and conflicting understandings of the local "underground." pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Popular Music & Society is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Popular Music & Society holder: Taylor & Francis Ltd dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
|---|