Lorca Unchained. Mauricio Sotelo's El Público and the (New) Spanish Contemporary Opera.
Mauricio Sotelo's El Público is a polemical representation not only of the Federico García Lorca's homosexual and ethically-engaged last oeuvre, but also of the political, aesthetic, and technical possibilities of flamenco traditions in a contemporary music work. Following García Lorca's play, and a...
| Publicado en: | Contemporary Music Review Vol. 38; no. 1/2; pp. 76 - 94 |
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| Formato: | Artículo |
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Taylor & Francis Ltd
Feb-Apr2019
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| Acceso en línea: | Ver este registro en EBSCOhost |