Reading Forensics: La Biblioteca Roja: Brevísima relación de la destrucción de los libros.
Extending recent media archaeological preoccupations, this essay examines the argentine excavation project and art book, La Biblioteca Roja: Brevísima relación de la destrucción de los libros (2017), and suggests the particular importance of such comparative "(an)archaeological" inquiries into the t...
| Published in: | Afterimage Vol. 46; no. 1; pp. 35 - 47 |
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| Format: | Article |
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University of California Press
Mar2019
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| Online Access: | View this record in EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=135733888&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 135733888 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 03007472 ATF jtl: Afterimage issn: 03007472 maglogo: N pubinfo: dt: Mar2019 vid: 46 iid: 1 pid: 414 pub: University of California Press artinfo: ui: 135733888 10.1525/aft.2019.461005 ppf: 35 ppct: 12 formats: fmt: @attributes: type: P size: 2.9MB tig: atl: Reading Forensics: La Biblioteca Roja: Brevísima relación de la destrucción de los libros. aug: au: SHACKELFORD, LAURA affil: Associate professor in the Department of English and director of the Center for Engaged Storycraft at Rochester Institute of Technology su: Archaeological excavations La Biblioteca Roja: Brevísima relación de la destrucción de los libros (Book) Media art Storytelling Theory of knowledge sug: subj: Archaeological excavations La Biblioteca Roja: Brevísima relación de la destrucción de los libros (Book) Media art Storytelling Theory of knowledge keyword: argentinian literary and media arts artifactual storytelling book culture dissident memory La Biblioteca Roja media archaeology ab: Extending recent media archaeological preoccupations, this essay examines the argentine excavation project and art book, La Biblioteca Roja: Brevísima relación de la destrucción de los libros (2017), and suggests the particular importance of such comparative "(an)archaeological" inquiries into the technical systems essential to knowledge cultures and their evidential power regimes today. combining multiple media and interdisciplinary methods--from visual drawings, essays, personal reflection, interviews, cultural analysis, forensic science, photographic documentation, and small press publishing--La Biblioteca Roja is a compelling experiment in dissident memory, as well as artifactual storytelling. The essay stresses its relevance as a rupture and intervention in current digitally informed, bioinformatic technical systems and knowledge cultures, and inquiries into continuities as well as differences between the technical systems of book cultures and more contemporary digital knowledge cultures, particularly with regard to their efforts to secure and territorialize knowledge and power through technical means that erase, destroy, and dismiss other knowledges and through them, other modes of life. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Afterimage is the property of University of California Press and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Afterimage holder: University of California Press dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
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