Aural Nation: Knowledge, Information and Music in Early Australian Public Broadcasting.
When the Australian Broadcasting Corporation (ABC) announced the 2017 schedule for the Radio National (RN) network, all but one music programme had been dropped. Removing music from RN in a time of technological change – there are suggestions RN will become a post-broadcast digital platform by 2020...
| Publicado en: | Historical Journal of Film, Radio & Television Vol. 39; no. 1; pp. 114 - 132 |
|---|---|
| Autor principal: | |
| Formato: | Artículo |
| Publicado: |
Taylor & Francis Ltd
Mar2019
|
| Materias: | |
| Acceso en línea: | Ver este registro en EBSCOhost |
| fields | @attributes: recordID: 1 pdfLink: plink: https://search.ebscohost.com/login.aspx?direct=true&db=hlh&AN=135890016&site=ehost-live header: @attributes: shortDbName: hlh uiTerm: 135890016 longDbName: Humanities International Complete uiTag: AN controlInfo: bkinfo: jinfo: jid: 01439685 HFT jtl: Historical Journal of Film, Radio & Television issn: 01439685 maglogo: N pubinfo: dt: Mar2019 vid: 39 iid: 1 pid: 377 pub: Taylor & Francis Ltd artinfo: ui: 135890016 10.1080/01439685.2018.1478219 ppf: 114 ppct: 18 formats: fmt: – @attributes: type: T – @attributes: type: P size: 505KB tig: atl: Aural Nation: Knowledge, Information and Music in Early Australian Public Broadcasting. aug: au: Tebbutt, John su: Public broadcasting Radio broadcasting Radio music Technological innovations Australia sug: subj: Australia Public broadcasting Radio broadcasting Radio music Technological innovations ab: When the Australian Broadcasting Corporation (ABC) announced the 2017 schedule for the Radio National (RN) network, all but one music programme had been dropped. Removing music from RN in a time of technological change – there are suggestions RN will become a post-broadcast digital platform by 2020 – reflects a deeper relationship between knowledge, information and the arts at the heart Australian public service media. Using historical examples from early Australian broadcasting this article revisits the notion of radio 'liveness' in the context of shifting understandings of knowledge production that emerged when radio was 'new media'. Radio broadcasting's ability to serve up events to listeners as if they were present had a critical effect on emerging media forms from broadcast concerts to dramatic news presentations. The article situates radio within the shift from traditional knowledge values, championed by music appreciation's representation of European art-music, to information programming (including sports and news) presented to a new listening subject that was being formed within broadcasting. With the establishment of local practices to exploit the cultural impact of liveness, conventions emerged in the ABC's national radio service that shaped its information programming for years to come. pubtype: Academic Journal doctype: Article src: R language: English refInfo: copyright: @attributes: flag: Y custom: Copyright of Historical Journal of Film, Radio & Television is the property of Taylor & Francis Ltd and its content may not be copied or emailed to multiple sites without the copyright holder's express written permission. Additionally, content may not be used with any artificial intelligence tools or machine learning technologies. However, users may print, download, or email articles for individual use. item: Historical Journal of Film, Radio & Television holder: Taylor & Francis Ltd dt: @attributes: year: 2019 holdings: @attributes: islocal: N |
|---|