Replaying a Useful South: Black Women, Midcentury Domesticity, and the Films of the Georgia Department of Public Health.

This article analyzes and considers the contemporary significance of Palmour Street: A Study of Family Life (1950) and All My Babies: A Midwife's Own Story (1952), two nontheatrical films produced for the Georgia Department of Health (GDPH) in the early 1950s and now available online. Made by progre...

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Publicado en:Southern Cultures Vol. 25; no. 1; pp. 88 - 106
Autores principales: Pilcher, Lauren, Stevens, John
Formato: Artículo
Publicado: University of North Carolina Press Spring2019
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Acceso en línea:Ver este registro en EBSCOhost
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        atl: Replaying a Useful South: Black Women, Midcentury Domesticity, and the Films of the Georgia Department of Public Health.
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          Pilcher, Lauren
          Stevens, John
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        Household employees
        Georgia. Dept. of Public Health
        Stoney, George C., 1916-2012
        Modernization (Social science)
        Segregation
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          Household employees
          Georgia. Dept. of Public Health
          Stoney, George C., 1916-2012
          Modernization (Social science)
          Segregation
      keyword:
        domesticity
        film
        George Stoney
        Georgia Department of Public Health
        segregation
      ab: This article analyzes and considers the contemporary significance of Palmour Street: A Study of Family Life (1950) and All My Babies: A Midwife's Own Story (1952), two nontheatrical films produced for the Georgia Department of Health (GDPH) in the early 1950s and now available online. Made by progressive writer/director George Stoney, the health-focused films feature rare documentary images of black mothers and midwives in rural southern homes and communities. As GDPH productions, they also envision a "useful" South in the midst of institutional modernization during the late Jim Crow era. The two films ultimately represent black women according to their utility in this New South by looking past the larger effects of racial segregation on cinematic and institutional perceptions of health. Today, Palmour Street and All My Babies allow us to confront a screen South that allows us to better imagine and create a region that embraces difference.
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