REFICCIONALIZAR LA CRUELDAD: TEATRALIZACIÓN Y TRAVESTISMO EN TENGO MIEDO TORERO DE PEDRO LEMEBEL.
In dictatorship, the transvestite must survive as a sexually different subject and as a subject thrown into a cruel historical moment. For this reason, Tengo miedo torero is the narrative space where the author can build a battlefield that alienates the Loca del Frente of its context. This is done t...
| Published in: | Revista Chilena de Literatura no. 99; pp. 303 - 317 |
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| Format: | Article |
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Universidad de Chile
Abr2019
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| Online Access: | View this record in EBSCOhost |